Lindsay Dirkx Brown Gallery. San Ramon

1st March through 31st March 2023

As a woman, artist, and mother, I work to create harmony by expressing the
universality of humanity through paintings, sculpture, calligraphy, and
poetry. I have realized at this stage in my life that my calling has been
towards connecting Humanity and Soil and soul. I believe in bringing change with my subtle voice and deep intention to heal humanity, soil, and soul. We experience life as separate energy forms, but we also share our energies and exist as

One. We are not only One with each other, but One with the Earth, with every living and non-living being in it, and ultimately, we are one with the Divine Essence itself, that we call our Creator and by so many Names. My message is always “We Are All One” It appears in all my work whether I do calligraphy or figuration or mycelium or microbes or home stories. These stories are rising from within me, and each painting has my soul in it. All these works are connected through my lyrical line that emanates from my soul and conveys the message of oneness, reflecting how all things have a spiritual essence and requires care and attention.

Essay by Richard Speer

While many artists devote their practices to formalist iterations on line, contour, color, and surface, others have a deeper thematic orientation verging into the realm of the visionary. Salma Arastu is one such artist, a passionate advocate for cross cultural and interfaith dialogue, committed to the precept that art can bridge what political discourse alone cannot. In We Are All One, she calibrates several unique series toward this mission. Copperplate images of dancing forms hold forth in a stripped-down iconic style, jubilant and child-like, inspired by the poems of Rumi and speaking to ecstatic states of insight and transformation. In a lyrical series of calligraphic tableaux, sometimes mounted like tapestries, she incorporates mystical symbology and texts in Arabic, Sanskrit, Hebrew, and East Asian scripts, many of them intermixed, a manifestation of diversity and mélange. Another body of work posits a link between spirituality and ecology, a Gaia-based paradigm in which humankind is knitted inextricably into the fabric of nature, a connection uniting “soil and soul,” to use her poetic phraseology. Collectively, this is a rapturous, High Romantic conception of nature, culture, and spirit enmeshed, concretized in artworks that marry pictorial dynamism with meditative serenity. Arastu believes that an active engagement with aesthetic forms can alter consciousness and indeed change the course of current events. Her mixed-media paintings, so rich in their layering of materials and meaning, invite a gentle revolution in attitudes, challenging viewers to push a reset button within our preconceptions and, in so doing, to impact the wider world for the better.

—Richard Speer is an art critic, curator, and author based in Portland, Oregon.  His reviews and essays have appeared in ARTnews, Visual Art Source, Art Papers, Artpulse, The Los Angeles Times, The Chicago Tribune, Salon, and Newsweek, and he is the author of more than two-dozen books about contemporary artists.  He has curated exhibitions in California and the Pacific Northwest.  For more information, visit www.richardspeer.com.

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Picture of Salma Arastu

Salma Arastu

My works are lyrical, spiritual, figurative, and calligraphic. My paintings reveal stories of unity in diversity, peace and joy, celebration of life, and women and dancing whirling dervishes. Whether in paintings or sculptures, the faceless figures in my work represent the universal oneness of all humanity. My calligraphic work attempts to celebrate the same message of universality spread through verses in Arabic calligraphy and in the poetry of Rumi. Read More

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